The cookies is used to store the user consent for the cookies in the category "Necessary". This cookie is set by GDPR Cookie Consent plugin. ![]() The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. But for goodness sake, don’t tell anybody you’re doing this. All I do is play the open strings on the “ham-mer.” Feel free to do this same thing. When I play it, I often fudge and skip the G chord entirely. It’s certainly difficult to get to the G chord fast enough. All you do is play the 1st string open, then quickly hammer down on the 1st string, 2nd fret.įudging the Chords: In measures 2 and 14, “Mole in the Ground” goes quickly to a G chord and then back to the C. Hot Lick #2: At the beginning of measures 5 and 9, the melody goes up to the 1st string, 2nd fret followed by a “ham-mer.” This would be a perfect place to add a hammer-on. Simply fret the 4th string, 2nd fret, and slide up to the 4th fret. Any time you see the 4th string at the 4th fret, you can slide into it. Hot Lick #1: A great way to decorate “Mole in the Ground” is to use slides. The rhythm of the clawhammer lick should sound like the syllables of the word “clawhammer:” claw-ham-mer. Merely brush down on the first, second and third strings with the ring and middle fingers of your right hand. That’s the “hammer” of the clawhammer stroke. Then you’ll see an arrow and then the 5th string. ![]() Play that note with a downward stroke of your index finger. That’s what I call the “claw” of the clawhammer rhythm. Reading the tab: The first note of the tab is the 4th string played open. ![]() Tuning: “I Wish I Was Mole In The Ground” is written out for you in what is called double C tuning: gCGCD (starting with the 5th string). Against my better judgment, I’m taking sides and sticking with Lunsford on this. In the notes to this set of records, Smith disputes Lunsford’s claim about the meaning of the word “bend.” Smith suggests that the word was actually “pen,” and that it referred to Big Bend Penitentiary. In 1952, Lunsford’s version of “I Wish I Was Mole In The Ground” was reissued in Harry Smith’s influential record set, “Anthology of American Folk Music.” It was from this record that the song became widely known among fans of old-time music. Lunsford insisted that the use of the word “bend” referred to a bend in the Pigeon River that runs through Haywood County. He later recalled that he learned the song from Fred Moody in 1901 when they were both students at Rutherford College. This recording marked the first time that anyone had recorded on the 5-string banjo in what would later be called country music. Lunsford, who famously called himself “The Squire of South Turkey Creek,” was the first to record “I Wish I Was a Mole in the Ground” on March 15, 1924. Playing banjo and singing on this song was Bascom Lamar Lunsford. “I Wish I Was a Mole in the Ground” was the very first tune recorded on the banjo in the style that would eventually be known as old-time music.
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